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Relationship With The Crew


When you begin working on a film you will most likely work with some people you haven’t worked with before. Establishing a good relationship with the crew will reduce conflict allowing for, hopefully a smooth production. It is especially helpful to have a good relationship with the ones you will be working with the most. If you are the director that will be the actors, assistant directors, director of photography, camera crew, and editor in post production to name a few; if you are the production manager that would be the production key positions. Because of this reason some may choose to bring a colleague that they have worked with before and get along with. This may be different than a friend in the industry because working with a likeminded; dependable colleague is different than working with friends. However, you may not always be in the position to work with the ones you choose. A good way to start creating a positive relationship with the ones you have not worked with before is to introduce your self to them before you start shooting. Another way is to acknowledge their good work; by doing this it shows that you have confidence in their work and judgment. Trusting each other is what makes a good team and a good film. As a director dealing with talent some may be more demanding than others. You may want to speak with the actors before hand to see if they would rather be called by their real name or their character’s name on set, since some actors may have a preference. In addition you can find out what other preferences they may have and account for them before hand so that hopefully during production the actor is not late because of this. In conclusion establishing a positive relationship with everyone on a production is most desired when doing a film. It eliminates conflict and helps the production run smoother. Knowing that what you are doing is business and nothing personal helps keep a good relationship as well.

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Tips for staying within budget


When you think of directors you think of the creative aspects of a film. The fact is that however creative the director may be they still need to stay on budget.  Creatively, there are many circumstances, decisions and requests that could prevent this from occurring. As a director you usually want the film to convey the right message with the resources available. In this post I will be talking about ways to keep costs down without compromising the quality of the project.

Part of the reason for this next cost cutting measure could be circumstantial and other parts could be just having a great team of cast and crew. Being ahead of schedule can cut your costs in some cases. If you are ahead of schedule enough and end production a day or so early that is a day that the producers don not pay for crew equipment and so on.

You could use alternative equipment or use the same amount of equipment for a shorter amount of time. This could cut costs because many times directors help decide the shots with the cinematographer and that sometimes entails equipment rentals. If the director can cut a shot or replace it with one that does not require specific special equipment than that is less in the rental fees for that piece of equipment. 

During production of a film there are several aspects of a film budget. The director may only be able to impact a few parts of it such as production and in some cases postproduction. If everyone in the production is on the same page with keeping costs low while still not compromising the quality of the rather than just one person such as the director than the production will most likely come within budget or below.

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